The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination

The Madwoman in the Attic The Woman Writer and the Nineteenth Century Literary Imagination An analysis of Victorian women writers this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the ori

  • Title: The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination
  • Author: Sandra M. Gilbert Susan Gubar
  • ISBN: 9780300084580
  • Page: 202
  • Format: Paperback
  • An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that the personal was the political, the sexual was the textual Contents The Queen s looking glass female creativity, mAn analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that the personal was the political, the sexual was the textual Contents The Queen s looking glass female creativity, male images of women, and the metaphor of literary paternity Infection in the sentence the women writer and the anxiety of authorship The parables of the cave Shut up in prose gender and genre in Austen s Juvenilia Jane Austen s cover story and its secret agents Milton s bogey patriarchal poetry and women readers Horror s twin Mary Shelley s monstrous Eve Looking oppositely Emily Bronte s bible of hell A secret, inward wound The professor s pupil A dialogue of self and soul plain Jane s progress The genesis of hunger, according to Shirley The buried life of Lucy Snowe Made keen by loss George Eliot s veiled vision George Eliot as the angel of destruction The aesthetics of renunciation A woman, white Emily Dickinson s yarn of pearl.

    • Free Read [Philosophy Book] ✓ The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination - by Sandra M. Gilbert Susan Gubar ✓
      202 Sandra M. Gilbert Susan Gubar
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      Posted by:Sandra M. Gilbert Susan Gubar
      Published :2019-02-09T01:29:17+00:00

    About "Sandra M. Gilbert Susan Gubar"

    1. Sandra M. Gilbert Susan Gubar

      Sandra M Gilbert is the author of numerous volumes of criticism and poetry, as well as a memoir She is coeditor with Susan Gubar of The Norton Anthology of Literature by Women A Distinguished Professor of English emerita at the University of California, Davis, she lives in Berkeley, California.

    998 thoughts on “The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination”

    1. Have you ever been bothered by that host of angelically drippy Dickensian heroines? Been more satisfied by the sassy alternatives offered by Jane Eyre or Elizabeth Bennet, but couldn’t pin down exactly why? Wondered what the hell is up with Wuthering Heights? Thought Eve was shafted?Well, act now to order your official Madwoman-in-the-Attic Goggles. Put them on, and literature will never look the same.Stop me if you’ve heard this one, but there has been this confining social dichotomy that w [...]


    2. The imagination of the title is the boundary of Gilbert and Gubar's reflections, and some qualifications might be added to define the limits and orientation of that imagination, such as whiteness and the English language. All of the women writers they discuss as foremothers and proponents of a specifically female literary culture are white and either English or USian (correct me if I err). Of course it is necessary to have a focus, to delineate a subject for enquiry, but it is important to note [...]


    3. I keep thinking that feminism (or every other political or social movement by the way) is a narrow path to follow in a literary analysis. As part of a thorough study, literature is an interesting enough source of feminist examples, and Simone de Beauvoir used it brilliantly in The Second Sex, but the reverse is not equally advisable. For, in my opinion, The Madwoman in the Attic forces, like Procust once upon a time, an entire literature written by 19th century women to sleep in the bed of the f [...]


    4. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination forges a ground-breaking contribution to feminist literary criticism. In this study, Sandra M. Gilbert and Susan Gubar argue for the existence of a distinctly female literary imagination in women writers of nineteenth-century. Their landmark study has influenced how we read women writers ever since. Gilbert and Gubar systematically deconstruct the obstacles women authors faced and how their struggles are [...]


    5. This is what my thesis adviser has called the quintessential text about Victorian women writers, and I find that statement to be absolutely true. Gilbert and Gubar begin with a generalized argument that women writers have a counterpart to the masculine "anxiety of influence" discussed by Harold Bloom. Instead, women undergo an "anxiety of authorship" because unlike male writers, women have no predecessors to emulate. Instead, women, particularly nineteenth century female writers, tended to modif [...]


    6. Brilliant. Although I did not always agree the authors or saw where they were going and why it was certainlyenlightening. A great piece of feminist criticism that is very useful when you study Literature and constantly have to write term papers. Many secondary sources refer to Gilbert & Gubar's "Madwoman" and it was interesting to see and understand why exactly it is perceived as such an important piece.


    7. The Madwoman in the AtticThe Madwoman in the Attic struck one of the first blows for feminist literary criticism and a uniquely female literary tradition. It's near and dear to my heart because it's the first extended lit-crit I've ever read, and also because it's about my favorite bunch of novels: Victorian (well, 19th century) women's fiction. There's also an awesome section on Victorian poetry. Hellooo, Goblin Market!The basic theory of the book is that women writers twisted the Madonna/whore [...]


    8. “Is a pen a metaphorical penis?”Thus begins, rather perfectly, this seminal (oblique phallic pun alert!) work in feminist literary theory. I wish I’d read this during my senior year in college, when I was writing my thesis on Woolf and her portrayal of women artists; I’d have been utterly riveted. (In fact, I’m somewhat surprised my thesis adviser didn’t encourage me to read this book for general context, as important as it is.) So, yes, this tome marks a very important moment in fem [...]


    9. This book has been on my TBR for a while after it has been recommended in so many lectures. And no wonder because this book was incredibly detailed account on the most important women writes in 19th century UK and America. I felt a bit underwhelmed at some points but I think it was more because I am not very well known with the theories the book discussed than that this was a badly written book. Having read most of the novels that were discussed in the book, this opened the whole new view of man [...]


    10. This was a fascinating read and gave me a deeper insight into some of my favourite pieces of nineteenth century literature. Gilbert and Gubar explore in detail the work of a wide variety of authors such as Austen, the Bronte's, Eliot, Dickinson, Rossetti, and Shelley. It's a huge tome of a book so does require a bit of a commitment to reading it, but I believe it is thoroughly worth it. It was a ground breaking book for feminist criticism at the time and will inform and influence the way in whic [...]


    11. The 600+ page tome of dense literary criticism is not for the lighthearted and, to be honest, I would not recommend reading it straight through. Gilbert and Gubar fail to deliver on their promised thesis of the overarching theme of angel versus monster in texts written by female authors in the nineteenth century.That said, if you've read the books they're discussing, it can be fascinating. My favorite parts by far were the take down of the Snow White tale and the chapters on Wuthering Heights, J [...]


    12. I didn't get chance to read this in full unfortunately, but what I did read (largely the parts about Woolf) were very interesting indeed. It's certainly a book which I hope to be able to pick up and read from cover to cover at some point in the near future, as there is certainly a lot which intrigued me here.


    13. I know this is considered passe by most of the lit crit set, particularly post-colonial theorists. That said, it changed my life. And I really think that it's one of the best places a girl can start reading about feminist theory, even if she leaves behind this school of thinking later. If nothing else, the first essay in the book is worth a read.




    14. He tardado en leerlo por que me ha pillado en una racha donde me he volcado más con el manga y no conseguía concentrarme en el tren porque me quedaba dormida, pero eso no es demérito de este ensayo.Por que este libro es indispensable si te gusta la literatura decimonónica escrita por mujeres (Austen, las Brontë, etc). Eso sí, (el único punto negativo, que no es per se negativo) si quieres abarcar totalmente la exposición de las autoras recomiendo leer toda la obra de las escritoras de la [...]


    15. Sólo puedo decir que maravilloso se queda corto. A pesar de que la lectura se me ha alargado más de lo que me hubiera gustado este libro sin duda merece relectura. Con él he podido ampliar los conceptos básicos sobre los orígenes del feminismo, conocer a algunos autores con más detalle o incluso descubrir autores nuevos como es el caso de Anne Finch.Uno de los conceptos que más me ha gustado ha sido la explicación que se da sobre la oposición entre ángel-monstruo con la que se represen [...]


    16. Wow! No wonder this is a crucial text in literary feminism. It covers a massive amount of works by 19th century English and American female writers with traces up to Virginia Woolf and Sylvia Plath.I have discovered gems through this book which I had previously avoided or not found interesting (Little Women) as well as developing a deeper appreciation for the Brontë's, whose works I did not enjoy reading but I acknowledge their deep impact upon the literary world - and even more so now. in fact [...]


    17. I just re-read this important book on nineteenth-century women writers. It's so beautifully written and full of interesting analysis that I can hardly do justice to it. Nineteenth-century women wrote in a world steeped in even more male bias than women face today. They "told all the truth but told it slant," as Emily Dickenson said. Even, no especially, Jane Austen's work was full of complaints about men's belittling women and control of what was deemed "literature."There are illuminating chapte [...]


    18. I've been reading this for some time, and decided to go back to it after reading Showalter's new book. I don't always agree with the authors, but generally find their analysis thought-provoking.Update: well, I've finished, and as mentioned before, I read this over a long period of time and in some cases came back to it because I read the work in question (I reread Wuthering Heights and The Goblin Market both last year). In other cases, I wish I'd read the work more recently (as with Shirley and [...]


    19. I thought I liked seminal 1970s feminist literary criticism, but it was too much. I mean, if you haven't just read the books they're covering it's hard to follow. I've read "frankenstein" - 20 years ago. I've read all the Austen novels, but at least a decade ago. I can't recall every character, every nuance. So this just made me feel it was time to do some re-reading. I was looking forward to the "wuthering heights" chapter, and it was good, but it helps that I've read WH 4 times. I gave up befo [...]


    20. I took a Female Gothic course in Scotland one year, and this book became my Bible. It was chock full of information about novels written by females in the nineteenth-century. However, that just scratches the surface as Madwoman also rebels against the phallocentric standards that existed in the time of the great female authors such as Bronte, Austen, Shelley, etc. Gilbert and Gubar have done amazing jobs analyzing and critiquing the Gothic novels and exploring the madwomen that exist within not [...]


    21. An excellent book, full of insight! You do have to know the works in question. Luckily the volume is divided out more or less by the books analyzed, so you can skip the George Eliot section if you haven't read MIDDLEMARCH. I was thrilled by the analysis of JANE EYRE, and can see why this was seminal.


    22. This is an absolutely indispensable and priceless book. You can skip about and fall in love with each and every chapter in this book! So incredibly enlightening. Gilbert is brilliant!


    23. So this book has shown me that I am woefully ill-read with regard to 19th century literature particularly by women. Need to change that and perhaps pick this book up again.


    24. A book about the books I love. Nearly all the reviews of this are glowing or life changing. It would be a shame to miss out on it.




    25. This book is considered a classic and it is easy to understand why. It's an extremely thorough (and, yes, extremely long) investigation of female writers of the nineteenth century and of how their experiences of being women, and women writers, shaped their works. I particularly appreciated the discussion of Austen and Charlotte Brontë, but felt that some of the arguments became a little repetitive as the text went on. I think that part of that stemmed from the fact that it is a work of sustaine [...]


    26. I read through the sections covering the works of Jane Austen and Charlotte Brontë (well, Jane Eyre), and I found both to be deeply interesting takes on the stories. Sometimes the analysis felt over-simplified or like it was stretching too hard, and there were a few strange, almost colonialist interpretations that seem to reflect how long ago this was first published (nearly 40 years!) and how new (and white) feminism still was in many ways. But overall, this was an interesting new lens to peer [...]


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